Future Fossil

Dark City: The Reality Projector, Individuation and the Aion

2010-02-16T12:21:00.000-08:00

"If the doors of perception were cleansed every thing would appear to man as it is, infinite. For man has closed himself up, till he sees all things through narrow chinks of his cavern." - William Blake

One wonders how some things can be hidden in front of our noses. In today’s world the notion of a deeper wisdom meandering through the underbelly of a Hollywood flick seems unlikely if not ill-placed; actually, it's the optimal place for it. Interestingly enough, it’s with a “hunch” I began to dig beyond its “Hollywood skin”.

The world is centered upon your point-of-view; hence by purifying or harmonizing this center of the self, everything else which is connected to it (absorbs and emanates from it) will benefit from your balanced good intentions; application of wisdom.

The integration of psychic wholeness (individuation; the alchemical process) and the cycle of the ages (Aion, in particular the transition from Pisces to Aquarius) with its subsequent effects on our consciousness is the underlying theme in Dark City. This, of course, is one interpretation of many (intrinsic of good art), but the intentions to embed the alchemical story is supported by the following observations and numerous devices used in the film itself.

Dark City, Dark Mind

"They control everything here including the sun, that's why it's always dark. They can't stand the light." - Dr. Schreber

Dark City is an allegory of the self (or psychic totality). The characters playing roles as aspects of the self, many being projections of "dark content". The city, or upper-world, represents the conscious/awake/known state. This is easily related to us, since it is what we know or see most. The underworld represents the unconscious content, inhabited by the Strangers. The Strangers can represent the unconscious projections and archetypes; personal and collective.

We also find the Strangers are most active when the city has been put into the sleep state; unconscious. The Stranger's subterranean control machine is a human head with a clock inside; the mind under the sway of Chronos/Saturn. When the Strangers focus in unison the machine generates the physical structure of the conscious world; the physical structures representing how our world view is limited/controlled by our unconscious projections. The Strangers create the memories which create the mental structure of the inhabitants; showing how our experiences are, again, controlled and guided by the unconscious mind. Since the unconscious content is so far out of balance with John's (our) life, the psyche appears dark and we are seemingly trapped by the web of illusion spun by Maya; the Strangers. The web of Maya, is represented by the spiral, labyrinthine "web" of the streets of Dark City of which no person can find the way out; Shell Beach/Integration. John's task, in life, is to reawaken and become the whole-self; alchemical marriage. 

The movie itself appears to be based on Daniel P. Schreber's Memoirs of My Nervous Illness, an account of his mental break. Dark City is the schizophrenic mind of Daniel Schreber. Dark City also appears to exhibit "the way out", or the alchemical approach to finding wholeness; individuation. In The Red Book, Jung mentions the Schreber case, which along with his own personal mental crisis, most likely served as case studies in his development of the individuation process (alchemy).

What's in a Name...

John = Ioannes or Yahweh is Great. Murdoch = God, Chief God, Lord. John Murdoch is a god man with amnesia. John was also God's "favorite" disciple.
Emma = ermen meaning "whole" or "universal". (G)emma - from Schreber's Memoirs of My Nervous Illness.The wholeness she provides after the Chemical Wedding of feminine and masculine. Emma, later is renamed Anna/Hannah = Grace, glorious
Detective Bumstead = Baumstead; abode of the tree or to hold a place for the tree.
The Strangers (Mr. Hand) = The Unknown, "little men" - The archetypes of the unconscious; personal and collective.
Dr. Daniel P. Schreber = Ego? - Named after a composite of Daniel Paul Schreber and his father Dr. Daniel Gottlob Moritz Schreber. Daniel P. Schreber revealed psychosis which included delusions of tiny people in his head, abnormal (at least in those times) female envy and was confined to a sanitarium for many years.

Daniel Paul Schreber (25 July 1842 - 14 April 1911) was a German judge who suffered from what was then diagnosed as dementia praecox. He described his second mental illness (1893-1902), making also a brief reference to the first illness (1884-1885) in his book Memoirs of My Nervous Illness (original German title Denkwürdigkeiten eines Nervenkranken)[1]. The Memoirs became one of the most influential books in the history of psychiatry and psychoanalysis thanks to its interpretation by Sigmund Freud.[2] - Wikipedia

Dr. Daniel Gottlob Moritz Schreber In 1844, he became director of the Leipzig "Heilanstalt" (sanatorium). His publications predominantly dealt with the subject of children's health and social consequences of urbanization at the dawn of the Industrial Revolution... Schreber was the founder of the eponymous "Schreber movement", although that term was used only after his death. In 1864, Leipzig school principal Ernst Innozenz Hauschild established the first "Schrebergarten", by leasing land for the physical exercise of children. - Wikipedia

"Schreber writes of the "little men" who crowd around his days. He describes them as being "a few millimeters in height,"invading his body because of his power…"

If it were just a matter of having these little folk wandering through his room, it might be bearable, but Schreber says that they insisted on literally dropping in on him:

"On some nights the souls finally dripped down on to my head, in a manner of speaking, in their hundreds if not thousands, as "little men". I always warned them against approaching me, since I had become aware of the immensely increased power of attraction of my nerves."

I was frequently told the names of the stars or groups of stars from which they had emanated or "from which they were suspended...." Especially frequent were the names Cassiopeia, Wega, Capella, also a star "Gemma" (or Emma)." - The Review of Arts, Literature, Philosophy and the Humanities

We can see from this understanding of who Schreber was that the film itself is an artistic rendition of the inner workings of Schreber's head, a sort of schizophrenic play. Hundreds of little men inside his head, Gemma (Emma in Dark City), the time spent in the sanitarium, and the Schrebergarten are key features of the film. Again, Jung also had a strong interest in Schreber and thus we can see the alchemical method/individuation being applied to the psychosis of the film (Schreber's/our head). Dark City apparently provides the "way out" for Daniel Schreber had he undergone the individuation process that Jung formulated, due in part to Schreber's psychosis itself.

The Alchemical City

In the Jungian archetypal schema,

Nigredo is the Shadow; Differentiation

Albedo refers to the anima and animus (contrasexual soul images);

Citrinitas is the wise old man (or woman) archetype; and

Rubedo is the Self archetype which has achieved wholeness.

Nigredo - The Shadow

In Dark City, a man awakens in a tub of water. Here he begins with amnesia. He is scarred with red blood upon his forehead. Later we find the scar is a remnant of the spiraling needle used to inject his memories into his pineal gland. He moves into the world scared and without knowledge (amnesia). He must seek to remember who he is (anamnesis). This is the baby being born (in water). The umbilical scar relative to the forehead scar. Babies are born with amnesia and must gain knowledge through life.

We can see similar "water births" in The Matrix, where Neo (One) is "birthed" into the "real" world in the water-pod battery matrix designed to steal/harvest his energy. (Note - Andrew Mason was a producer on both Dark City and The Matrix, creating a link between the gnostic/alchemical designs apparent in both. More similarities abound, but I defer that till later.)

The Fall - Embodiment of Spirit

The memories or "spirit" are transmitted via a spiraling tube needle with 2 side flaps. This represents the process of devolution into matter of the god man; (re)incarnation, the fall. The Spiral represents the flow of energy, time and spirit. The 2 side flaps represent duality inherent at birth. This is the corruption to be overcome. The needle itself represents the process of birth or awakening; beginning stage. Notice that the needle has 3 rings for the fingers; trinity.

The Spiral Imprint

In his book DMT: The Spirit Molecule, Rick Strassman describes the effects of DMT (FYI, movie out soon). Evidence shows that DMT appears in the pineal gland at the same time that the embryo's sex is determined. DMT is also present/released during near death or traumatic situations and becomes present in the embryo simultaneous to its determination of sex. Taking doses of DMT induces near death experiences, or more aptly, creates the spiral "gateway" through which the spirit or life force travels from the source (time less) into the 3D realm (time). Being the only non-bifurcated part of the brain, the pineal gland is "the seat of the soul"; the gateway of consciousness. The facilitation of spiritual incarnation is the literal meaning of the word entheogen; "that which causes God to be within an individual".

More on the Spiral Symbol below.

City of Pisces

John then stumbles out of the bathroom and breaks a fishbowl; he saves the fish. This can represent the gnostic-Christian idea of the fisher of men; the inhabitant of the Piscean Age. The fish represents the Goddess Sophia; the feminine wisdom-completion of wholeness hence Christian "fisher" symbolism. His rescue of the fish is his yearning for wholeness.

We can also see the presence of the dual fishes in the above image (by the pool/solar zodiac of Schreber). We have the Fish and its shadow in opposing directions; Pisces. John is sitting by the Solar zodiac/pool Dr. Schreber frequents. The pool itself representing zodiacal significance of Pisces/Aquarius. See image below in Zodiac image section.

According to Jung's Aion: "In the present instance the fishes would characterize the ascendant, the moment of the world's birth... the cosmogonic myths are, at bottom, symbols for the coming of consciousness... the dawn-state corresponds to the unconscious; in alchemical terms... the nigredo... The fishes represent the coming world of consciousness."

Pisces is symbolized by 2 fishes in opposing directions. These 2 oppositions are John and the Strangers. These oppositions come to the fore in Pisces and must be reconciled in order to enter into the Aquarian age. This can only be accomplished through struggle and the overcoming or more aptly the integration of the negative aspect. Hence the fishes represent the total state of consciousness; conscious + unconscious or light + dark.

Pisces is the 12th house of the zodiac and final stage before the start of the Age of Aquarius. We can see John's search for the Shell Beach (Rubedo & Aquarius) result in his eventual realization of the true reality and subsequent regaining of wholeness and power over the dark forces/unconscious. We have a concurrent process of individuation and shift from Pisces to Aquarius in the film. This does not necessarily infer the common belief of Aquarius being a perfect, golden age that will solve all problems being equated to Individuation. But we can step back and consider them together.

Shell Beach can refer to Pisces/Aquarius "border". The water and sun referring to the rubedo; dawn of new consciousness. The Nautilus shell relating the golden ratio; perfected design.

In Aion, Jung states: "... a junction of Saturn and Jupiter took place in Pisces..." "Saturn is a black star; maleficus..." "Jupiter is a beneficent star, Saturn equals death; Jupiter life..." " The conjunction of the two therefore signifies the union of extreme opposites."

This clearly illuminates the enantiodromian aspects of John's newfound abilities; to counteract the stranger's maleficus "evil".

"I have John Murdoch... in mind." - Mr.Hand

John = Christ; conscious ego

Mr. Hand (Stranger) = anti-Christ; the shadow

John, during his awakening to the false world, becomes hunted by the stranger, Mr.Hand who imprints himself with John's memories. This solidifies them as the christ/anti-christ pair; the piscean balance of opposites (enantiodromia).

"The anti-Christ, the perverse imitator of Christ's life...who follows in Christ's footsteps like a shadow following the body." - Aion, C.G.Jung

Notice the reference to Christ on the cross-zodiac in the image above for both John and Mr. Hand.

We even find the meeting of Mr. hand and Emma on the banks of the water. Mr. Hand is John’s shadow self whom she does not recognize. They meet at the banks of the water with 2 pinecones on either side; pineal gland - duality.

Saturn - Back in Black

Detective Bumstead = Saturn, Persona (animus?)

"Astrological Saturn has always been associated with the letter of the law. Gnostics have identified Saturn with the god of Early Scripture, whom they regarded as a tyrannical father, obsessed with rigid enforcement of the law." - Wikipedia

The element associated with Saturn is LEAD. (turning the alchemical lead into gold) This is the beginning stage; Nigredo.

Dark City is influenced by Saturn and Jupiter. Saturn represents our limitations in power and control (by his rulership and its coming to an end), in confinement or isolation and capacity (as Saturn's placement as a planet, which until modern times was the boundary of our Solar System). Taking all this into consideration, it is no wonder we face difficulty when attempting to transform Saturn from a controlling force to a teaching force because we encounter all our limitations in every aspect of our lives. The principles of Saturn exist to prevent these transgressions from occurring or repeating through having learned lessons from them the hard way. Feelings of shame, fear, guilt and humiliation shackle us and keep us confined to the pit of darkness (note:dark-ness city). The way to get out of the pit is to stop placing blame on others and take personal responsibility for our situation in life.

Saturn often stands for the father in the natal chart, as does the Sun, however with Saturn it usually indicates problems with the father. Saturn indicates a tyrannical, domineering parent who seeks to mold his children in his own image and force them to live by his standards. Children often become "swallowed up" by such domination. Cronus became domineering and swallowed up his children in a need to control Fate (symbolized by the many clocks in the movie). It was the fathering style he was taught, which modern day psychologists tell us is what happens in dysfunctional families. We learn how to parent from our parents. Zeus broke the pattern, which is the example which we ideally seek in dysfunctional parenting. To break the pattern, one must learn to develop the positive side of Saturn. Mastering Saturn as the inner teacher is a difficult task as it forces one to deal with the problematic side of Saturn as well.

Saturn's function is contraction, which gives Saturn (called since ancient times "The Greater Malefic") a somewhat polarized role against Jupiter (called "The Greater Benefic") in astrology. - Wikipedia

In Dark City we find a variety of signifiers confirming the Saturnian qualities. We can see the police officer with the number 53; Precinct 53. Saturn has 53 moons. Detective Bumstead upholds the law.

Police officers wear black octagon hats. The black background of the octagon refers to the darkness of ignorance in reference to the uninformed state of mind. (see 8th Psychological Operations Insignia. Note: the insignia's lightning bolts represent the water wave sign of Aquarius turned vertical to create the bolts.)

Jupiter - The 5th Planet

Jupiter is the ruling planet of Sagittarius, and, for many astrologers, also the ruler of Pisces and is exalted in Cancer. In Roman mythology Jupiter is the ruler of the gods (having overthrown Saturn) and their guardian and protector, and his symbol is the thunderbolt.

Jupiter is associated with the principles of growth, expansion, prosperity and good fortune; and a person's inner sense of justice and morality and their ideals and higher goals. Jupiter governs long distance and foreign travel, higher education, religion and the law. It is also associated with the urge for freedom and exploration, humanitarian and protecting roles, and with gambling and merrymaking or 'joviality'. The first-century poet Manilius described Jupiter as temperate and benign, and the greater benefic. It was regarded as warm and moist in nature, and therefore favorable to life.

We can see the relation of 5 to John, Emma, Bumstead and Mr. Hand. They all interact through John’s apartment #5. This shows the affects of Jupiter on the aspects of the psyche throughout the movie. We can also see the interactions in apt. #5 as beingconscious interactions being they are above ground in John's home in contrast to the later interactions which occur underground (unconscious). We can note that Mr. Hand (the shadow) tracks Emma (anima) down at John's apt. to the ignorance of John (who wasn't physically there) and manages to erase her memories. This shows how the subconscious shadow self can render harmful affects when not properly integrated. Later, John's actions underground bear positive results leading to the rubedo; conscious & unconscious integrated.

Neptune - A Different Tune

Neptune is considered by modern astrologers to be co-ruler of Pisces with Jupiter. In Roman mythology Neptune is the god of the sea, and the deep, ocean blue color of the planet Neptune reflects this. Modern Western astrologers associate the planet Neptune with idealism and compassion, but also with illusion (see image below), confusion and deception; with religions, spirituality and mysticism, the mass media, creativity in art and music, drugs, extreme sensitivity, fantasy and imagination, psychic phenomena and altered mental states. Neptune governs hospitals, prisons, mental institutions, and any place, such as a monastery, that involves a retreat from society (from Wikipedia), i.e.- Detective Walenski's room (see image in Spiral Symbols below), Uncle Karl, and Dark City as prison. In the film, Neptune's Kingdom, the abode of Uncle Karl, is on the outskirts of town; signifying it's relevance to this concept of isolation.

In medicine Neptune seems particularly associated with the thalamus...(wikipedia). The thalamus is connected with the regulation of sleep and consciousness which are key aspects in this film; the strangers make the inhabitants "sleep" on command; the subconscious operates to the ignorance of the conscious.

Albedo - Whitening: Purification; Anima and Animus

Emma, (Gemma) the anima. (Later as Anna)

In Dark City, John Murdoch's feminine counterpart (contrasexual soul image) is represented by his wife Emma; anima? Dark City (night) in part alludes to her role as a Lunar symbol with whom he must later seek harmony with in order to achieve wholeness.

Again, noting Gemma was a star/person "emanating" in Schreber's head in Memoirs of My Nervous Illness.

We can see Emma connected to the number 5 both in John’s apt. #5 and in the related image shown here. The 4 elements with an X on the center 5th; the fifth element.

John comes to find that he has a wife named Emma. He goes to meet her and cannot remember her at all. This represents his estrangement from his anima; his imbalance with the feminine aspect. As he progresses through the movie, he comes to realize his love for her is genuine.

John supposedly has been killing prostitutes, but he cannot remember since he has amnesia. He picks up a prostitute at an automat to test his supposed killer instincts. John realizes that he is not a killer and eventually realizes the real killers are the Strangers; the maleficus dark content that is responsible for the evil. The spirals carved onto the bodies of the dead women can be thought of in this way: The female body is the soul, which is defiled by our unconscious due to our lack of wholeness (See Stephen Hoeller's work on the Gnostic Exegesis of the Soul). The spirals carved by the Strangers can signify the expansion of the unconscious, the path taken and, again, the ruling aspects of Saturn/Chronos; time as the spiral.

John must "awaken" by battling with the Strangers underground in order to complete the chemical marriage; through Emma. This is the whole conscious, coming face to face in totality.

Citrinitas - Yellowing: Spiritualization, Enlightenment. Wise Old Man/Chthonic Woman

"When we are aware of the precariousness of our spiritual condition, that awareness calls the savior into the picture..." - Stephen Hoeller

Detective Bumstead represents awakening aspects of John's masculine psyche;

"I don't know if I am awake of dreaming. It's like nothing in my past life was real..."

Bumstead, the reductive logical thinker, begins shifting from pure logic to intuitive thought. His accordion amplifies this symbol; music as balance of thinking and feeling. Bumstead is connected with his mother, who gave him his accordion. She can be seen as a picture in his house and on his desk. The mother/son combo is a symbol of the fishes, according to Jung. In addition, we see Bumstead as the transforming aspect of Saturnian control. The shift from mindless obedience to the control system, to personal individuation. He can also represent the animus.

Dr. Schreber, Bumstead and John journey to find Shell Beach (the Dr. is forced against his will). On the way they travel by boat over the deep dark waters under a broken bridge. This symbolizes the journey into the depths of the unconscious. The broken bridge signifying the disconnect between the conscious and unconscious, and masculine and feminine halves of the psyche. The boat signifying the journey or work in action.

After finding the edge of the city (consciousness) the strangers find them and Bumstead is killed (that is, Bumstead + a Stranger) thereby symbolizing the completion of the shift; the defeat of the negative Saturnian aspect, the death of the (false) persona. John is captured by the Strangers where he is imprinted with ultimate knowledge embedded in memories by Doctor Schreber. This instant gnosis represents enlightenment and realization of self; (anamnesis leading to Chemical Marriage).

Mr. Hand re-imprints Emma with new memories; symbolizing her death and subsequent rebirth as Anna; this coincides with the Rubedo phase.

The ensuing battle between John and the Strangers shows the conscious and unconscious at war to attain balance in the underworld. The resulting explosion shows the spiraling separation and rising of the material to the upper or conscious world. The impure material being cast off leaving behind the philosopher's stone.

John destroys the old world/dark consciousness by releasing the waters (which the Strangers have an aversion to) and uses his thought projections (tuning) to build the new world. We see the world turn and reveal the Sun and Water (heaven and Earth); enlightenment/citrinitas. The waters symbolizes the feminine that the unconscious had feared as well as a symbol of the Age of Aquarius.

By individuation/integration of the conscious and unconscious content, John takes back the power of his Self and can thus project an intentional, conscious world free from the prison of the limitations previously placed. (the marriage of the quaternio)

Rubedo - Reddening: Unification of the limited with the unlimited. Manifestation of the whole self. (Demonstration of perfection - Rosarium Philisophorum)

Anna + John + Dr.Schreber = the Wise Old Man/Chthonic Mother

Shell Beach - The Aquarian Vacation

John and Anna(Emma) come together on the pier; unity of male and female, Sol and Luna; the whole self. So with the “death” of Emma and Bumstead; anima and animus, we are seeing the rebirth into the new self. In this view, I take the idea of the anima and animus co-existing in John because John is both male and female (the viewer’s sex). This maintains relevance for both men and women of course.

The sun over the ocean amplifies this unity of opposites. The waters also represent the Aquarian Age; new aion.

More Symbols:

The dagger is adorned by 2 side "prongs" which can represent the exit out of duality; the compliment of the spiral needle of duality. The dagger is similar to the Phurba of Bhutanese shamans. Accordingly we can see its purpose to kill the 3 poisons noted below:

The handle generally has a triune form as is common to the pommel and blade. The blade is usually composed of three triangular facets or faces, meeting at the tip. These represent, respectively, the blade's power to transform the negative energies known as the "three poisons" or "root poisons" (Sanskrit: mula klesha) of attachment/craving/desire, delusion/ignorance/misconception, and aversion/fear/hate. - From Wikipedia

We can see the use of the phurba in the film The Shadow and a form of it in Transformers: Revenge of the Fallen.

During the early stages, the movie shown playing is "The Evil". This can also represent the last phase of Pisces or the prevailing imagery projected by the mind as "evil". We also see "The Evil" being advertised in the subway; abode of the unconscious.

During the Citrinitas stage, the coming attraction is "Book of Dreams". This can also represent the start of Aquarius; the power of the imagination machine in its "good" form.   

UPDATE: I almost forgot to mention the obvious. The movies themselves are projections. The theater is the image projector; imagination/psychological projection-Jung. We can correlate the movie theater with the overall scenario of the movie. If we consider the theater as the image-in-ation generator (again, the city as the mind of one person), good and evil emanate from this projection. We see Dark City/Schreber's state of mind relate to and are born from these projections. Hence by cleaning up and harmonizing this projector, we get different scenarios.

There is a Roof chase scene, a spiral stairs chase scene and a Subway scene (again, where "The Evil" is shown advertised). This symbolizes the conscious and subconscious work John is performing in order to find wholeness of self, "Shell Beach"/Aquarius; traveling the spiral staircase en route. Note the staircase bottom floor is shown with the masonic black and white checkers.

Gnostic/Quartered Cross-

The Strangers are shown fabricating memories by compiling an array of objects to put into people's homes. The conveyor is flanked by rows of quartered/Gnostic crosses on both sides; duality, path to wholeness. This is also a nice metaphor for the mainstream media as the meme-machine; reality generator through consensus spell casting at the subconscious level; Strangers-underground-memories-artifacts. When John is captured by the Strangers, he is whisked to the machine on a transport with 2 quartered crosses on it. The gnostic cross also signifies the gnostic influence in an fashion.

The Stag/Deer -

The deer is connected to the prostitute in the film. We can see the deer as a symbol of regeneration, cycle, and growth, expansion and the moon/luna - the feminine. The prostitute can be seen as the suppression of the feminine archetype; her later death as total suppression.

The deer-prostitute as the inner spiritual growth killed by the shadow or dark content (the shadow, Mr. Hand). The forced prostitution of the deer implies the unconscious dark contents' maliciousness towards the whole self. The mirror reflects/hints to our identification with the deer-prostitute since we are seeing a reflection of "ourselves". This is a common subtle trick used in many movies.

"Just as the deer has an uncanny sense of where to find the green freshness earth provides, we can ask the deer within ourselves to seek out our inner treasures. In meditation or day dream, go on a spiritual hike with the deer. See yourself walking in the woods with the deer leading you into amazing depths within your soul. Each step you and the deer take will lead you deeper into your spiritual knowing, and to limitless treasure within. The deer (particularly the doe, females) has the capacity for infinite generosity. Their heart rhythms pulse in soft waves of kindness. Match that graciousness by offering your trust to her. She will reward you by leading you to the most powerful spiritual medicine you can fathom. In China the deer is a symbol of happiness and good fortune. Indeed, its name in Chinese is a homonym for the word abundance."

"The deer was/is a symbol to the Native Americans representative of the great spirit – a sign of the sun as its antlers spread like the sun’s rays. The Native Americans also recognized the shedding and regrowth of the antlers and deemed this a symbol of regeneration, cycle, and growth.

Above all, we can recognize the sensitivity of the deer - alert, keen, and always aware – we can translate these qualities to of being spiritually aware – and this is why the deer is seen primarily as a spiritual symbol.

The fact that you were able to see this very powerful sign – the white deer – is a message that you are on a path of growth and expansion that will lead you in a direction beyond your wildest dreams. The message of the white deer is one of "get ready." - From here and here

The Spiral

"Round and round and round she goes... where she stops nobody knows." - Detective Bumstead

Detective Walenkski's drawings are reflections of his efforts to try to figure out that which he cannot remember or understand.

The streets and subway follow a spiraling pattern . John finds out that the "Green Line" is the only way to Shell Beach (green-Osiris), but he has no way to get on it.

John notices his fingerprint is a spiral.
The spiral staircase in John's apartment building.
Dr. Schreber's lab contains a labyrinth with a rat in it. "A rather crude experiment" he calls it.
Bumstead notices his coffee and the photo of a fingerprint are both spirals. He then notices the prostitutes are carved with spirals by the Strangers.
The buildings "grow" in spirals.
The clouds over Dark City are spiral formed.
The imprinting needle drills in spiral motion.
The final explosion and destruction of the machine results in a spiral beam of light toward the heavens.

The golden spiral is the principle underlying rule by which all energy naturally flows in the universe; tornadoes, water pouring, seasons, light waves, subatomic particles (generally speaking). Cycles can be seen as a circle that repeats; over and over. In order to evoke true nature though, it must also never be the same; diversity. This is accomplished by constantly changing the diameter of the circle (X an Y dimensions) and at the same time moving the circle along a path (Z axis). This creates a constantly fluxing, breathing energy flow; see diagram. A spiral is nothing more than a static circle imbued with the life force; dynamism. This is why the ancients used it to represent time; see Anasazi and Celtic/druidic symbolism.

Symbolically, the spiral represents the expansion of consciousness, life, awakening, the feminine... etc.

By observing moving spirals, the mind can become hypnotized or entranced. This movement of the spiral interacts with the minds movement (consciousness). It can become a gateway between consciousness and unconsciousness, imagination and reality. Walking a labyrinth can induce a state of focus (inward movement) or meditation.

DNA is a toroidal spiral antenna. It is designed to receive moving signal and materialize it into the 3D world. It is trapped into the 3D by the Ouroboros-like DNA structure which traps the life force in a closed system (toroid).

The spiral's appearance in the film is indicative and symbolic of somatic and psychic "objects" of the conscience. They also portray the natural occurrence of spirals in form linked with the immaterial motion of the spiral; time, waking/sleeping, coffee swirling, etc... Use your own eyes to read into the meaning.

Spiral Time: The Anasazi Solar Calendar

Back in the real world, I found some nice examples of the spiral used to measure time. In Chaco Canyon there is a carved spiral into a cliff wall with a series of stone slabs set up to cast shadows at specific times on the Winter and Summer solstice. The sliver of light cast by the sun lands dead center at exactly 11:11 am AND for less than a minute (summer solstice around 800 AD)! The moon also interacts with this spiral clock, but is less understood due to the complex motions of the moon. This spiral calendars can be found all over the southwest used in symbolic and clock forms. Also note, the spiral as time symbol is quite universal and is found all over the globe. The 11:11symbolism is indicative of death/rebirth and "gateways/portals". The infamous 12-21-2102 date itself is set to occur at 11:11am GMT.

Zodiacs

The clock by the pool shows 11 o'clock, pisces on the zodiac round. We also find the 2 fishes on the wall behind the pool as towel hooks, pisces.

Zodiacs appear frequently in the movie, amplifying the time/astrological meanings.

Time

"You still don't understand John. You were never a boy. Not in this place. Your entire history is an illusion, a fabrication, as it is with all of us." - Dr. Schreber

We also see the Saturnian aspect of the clocks being consistently reinforced. Saturn is Cronus. (Edit, I misspelled Cronus which could have caused confusion. See note on Cronus/Chronos confusion: "His association with the "Saturnian" Golden Age eventually caused him to become the god of "human time", i.e., calendars, seasons, and harvests — not to be confused with Chronos, the unrelated embodiment of time in general." Wikipedia) Although there is a difference between Cronus and Chronos, there is a similarity in their association with time and in the etymology of the names, yet are distinct from each other.

Time to Sleep

Well.... as I squeeze the last bits of this post, I’ll leave you with these ideas to ponder and consider for yourself. This movie left an impact on me those years ago when I saw it in high school and even now as I see it anew through symbolist eyes...

The Transformation of Consciousness in the Coming New Age - Part 2 - Yes Man

2009-06-24T08:43:00.000-07:00

I happened upon this movie on a plane flight back from my recent Nicaraguan vacation. I heard about it, but never got around to watching it. After I arrived back home, I went and bought the DVD so that I could analyze it a bit more in depth. I saw the syncs lining up and did a quick internet search to see if anyone had reviewed it yet (Synchro-style). I saw 1 post which resonated some of the same ideas; The Transformation of Consciousness in the Coming New Age. (Please also see this video from Live from the Logosphere!)

To start, Yes Man is The Fool (SOL) archetype. Wikipedia states:
The Fool is the spirit in search of experience. He represents the mystical cleverness bereft of reason within us, the childlike ability to tune into the inner workings of the world. The sun shining behind him represents the divine nature of the Fool's wisdom and exuberance. On his back are all the possessions he might need. In his hand there is a flower, showing his appreciation of beauty. He is frequently accompanied by a dog, sometimes seen as his animal desires, sometimes as the call of the "real world", nipping at his heels and distracting him. He is seemingly unconcerned that he is standing on a precipice, apparently about to step off.

A dog appears on most versions of the card. Some versions of the dog depict him biting at The Fool. The dog symbolizes the natural world, one path to knowledge and a valuable ally; he can be seen as providing The Fool with a "reality check," a link to the everyday world.

The conventional explanations say that The Fool signifies the flesh, the sensitive life, and by a peculiar satire its subsidiary name was at one time The Alchemist, as depicting folly at the most insensate stage. When The Fool appears in a spread, he would be a signal to strip down to the irreducible core, and interrogate whether the Querant's self-vision is obscured. It may also be a warning that significant change is coming.

Additionally, we have another image of The Fool (shown above) as the guitar player (tarot card).
Fool :
- The stance
- The dog
- The white flower
- Nature
- The guitar player/music
- Sun (shown throughout the film, explained here later)

Additionally, Michael Tsarion states that the translation for this card, Fool, was mistranslated with a long "s" being perceived as an "f". The card represents beginnings and should read SOL (soleil) astrologically. This makes sense to me, instinctually.

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NOTE: As I interpret the movie herein, the characters act as archetypal representations. This interpretation is also the esoteric alter meaning as I have seen it. This does not invalidate the obvious exoteric meaning by any means.

In the beginning we have Carl in the video store. As he is browsing movies, he selects Transformers (and looks at 300). The Transformers movie is a symbolic device of Carl as the transformative stages of Pisces/rationalism. At this stage though, he is considering it, rather than enacting it; potential energy. The DVDs can also represent forms of action created by others. The bystander who consumes others' journeys rather than their own. We also have a nice lil' show of the stars in the window, as Carl is clearly deep in avoiding The Fool's (his) journey over the phone with his friend.

As Carl is the symbol of transforming energy, Pisces into Aquarius, we see a sync of Carl with 666. It has been called the number of man. It has many links to the golden ratio and holds certain religious and occult meaning. Most readers are aware of this significance.

Magic Square and Numerology: Cornelius Agrippa (1486-1535) joined the seven known planets with these seven Magic Square:
Sun Magic Square: the magic constant is 111, three one. The sum of all the numbers of the square is 666, the number of the Beast of the Apocalypse (Note: (hu)man of the revealing or the transformer; Carl here). The colours are: purple or magenta for the numbers and yellow for the background. The metal of the Sun is gold."
I will omit the cliche satan/666 connection and go with the above Solar Magic Square relation. We see the 666 represented by Carl's green (rebirth) door, flashed to 3 separate times in this scene.

We also have an interesting relation here with the water/wavelike sculpture on the bank. Almost like he sits on the bank of the waters (Aquarius), where he has invested all of his life. Here we also have the messenger or instigator for Carl's journey.

Next we have his abode which he secludes himself inside in an effort to avoid his friends and remain comfortable (The Hermit). As you can see there is a nice lit solar clock on the wall (The Fool). We also see Carl using the TV as the device which feeds his reality and acts as an alternate to creating his own reality; bystander.

We also have the high roller picture on the wall showing dice rolling 4 and 3 (7), also 4 sets of 2 dice. These have implications of luck, risk and the naivety of The Fool.

We also have the Twister t-shirt which relates to the sun/golden ratio/spiral/eternal motion.

After his Osiris like death/rebirth or awareness/awakening experience, Carl attends the Yes conference. Seen below, it is evident that the 2 screens represent the halves of the brain (left/right). Carl is sitting on the left; fitting since he is more logical and linear in thought at this point. The Master, Terrance, is shown in the middle; the lapis philisophorum, or perfected being (balance). Notice the Egyptian/Masonic style decor; pillar lamps, throne.

As Carl finishes his awakening experience, he reluctantly begins his new life of Yes. He meets the bum where he takes him to the Elysian Park (Elysian Fields... paradise). He then meets the mysterious girl all occurring in the night (lunar/feminine). The girl drives him on the scooter; he is still not "in the driver's seat".

We now have a new start for Carl. Here he is seen next to the solar disk clock (zodiac) clad with a 1969 t-shirt; Connected with the Age of Aquarius.

The new leaf continues at work where he tells his boss Norman (Normal+Man or the norm) that he is "going with his gut.." (intuition). Now he is the Transformer in action. (Calls him Norm). Norman returns the favor by calling him Kar for short; sounds like Ka (life force/spirit). Carl embodies Ka.

"It's like the Era of Yes (Aquarius) has begun...." "Well, whatever gets you out of the House (Pisces). I'm all for it."

Carl has a run in with old lady where he tells her no. This causes him to falter and he falls down only to be bit and nipped at by his sidekick dog (reality check for The Fool). Again, another spiral t-shirt is worn.

Carl redirects and now enters the house of the mysterious Aquarian girl called Spaceland (zodiac). Her Aquarian garb, so subtle, is fishnet with shells and seahorse helmets. Also we have blue and silver colors which look water like. Again at night. We have more star/cross/zodiac symbols lit on the wall and a Crown for good measure (on the monitor behind his head). Not to make it too obvious or strong, the girl asks the bartender for some water (water bearer). We also see her channeling J. Hendrix by playing Star Spangled Banner the way he did in 1969. (Note: Star Spangled Banner = Milky Way?)

Next we have Carl talking about how much he loves Red Bull of whose symbolism evokes various ideas.

From Wikipedia Apis.

After he overdoses on Red Bull, he takes in the Aquarian waters, again. Then we have him crowned by the space observatory (=the heavens) in the background with his glow in the dark halo around his neck.

In the next scene Carl and Allison/Aquarius attend a Harry Potter party where we get hints of The Magician's energy from the Tarot. Upon entrance the door has a #5 within a triangle.

The 5 numerologically can mean:
"...you will have the opportunity to develop adaptability. The people you meet will spark your sensuality, impulsiveness and desire for the freedom to be adventurous. You will learn to let go of people and things that no longer sustain your enthusiasm."

On the wall we see the Rod of Asclepius:
The serpent and the staff appear to have been separate symbols that were combined at some point in the development of the Asclepian cult. The significance of the serpent has been interpreted in many ways; sometimes the shedding of skin and renewal is emphasized as symbolizing rejuvenation while other assessments center on the serpent as a symbol that unites and expresses the dual nature of the work of the physician, who deals with life and death, sickness and health.

Note the lightening bolt across Carl's forehead. This symbol represents epiphany/enlightenment and can be associated with The Tower card.

Carl's clothing was only available in toddler size. Another nod to embracing the childlike and naive Fool energy.

Next to that we see another spiral symbol on the water jug (Aquarian waters). Then we have the illuminated Osiris/Oscar with the Saturnian mortarboard graduate cap. Finally we see the scene from Harry Potter which states: "Feels strange to be going home, doesn't it?...", "I'm not going home, not really..." Pisces to Aquarius transformer.

After the party, Carl and Allison head off into the night (lunar). Here we have Allison driving the scooter again, but then offers Ka(rl) to take the controls. This appears to be the next step of the Transformer. Now he is partaking more in the new Era of Yes. With no time wasted he suggests an idea. They arrive at the Hollywood Bowl, just the 2 of them. The amphitheater has a solar design. At one time it had a reflecting pool and muse fountain designed by sculptor George Stanley who had done the Oscar statue; abstracted Osiris (see my earlier post on the 2009 Oscar Poster). In this scene we see the Solar amphitheater being bathed in nocturnal blue Lunar light. The couple stand together, in union inside the unified solar/lunar theater; Masculine and Feminine, Solar and Lunar, Rex and Regina (coniunctionus).

Continuing the Tower theme we see Carl ascending the spiral staircase to save the jumper. Once at the top, he is amidst a room with the Virgin Mary, a solar wall clock, a mandala and a crab:

"As an animal totem, the crab's ambulation is noteworthy. Never taking a direct (forward, or head-on) route, the crab makes its way on land with a sideways tap-dance.

This is a reminder that not all paths are direct and not all ways will be forthcoming in their meaning. When you are moving in a certain direction, and you feel a bit misguided, call upon the travel-savvy crab. She will guide you in an unorthodox way - taking lesser known paths of least resistance and bring you to clarity. These creatures are lunar symbols, as indicated in the Tarot..." link

Carl realizes he will play the guitar to save the jumper. He resorts to music as his new tool. We also have The Fool echoed here again.

At this point Carl has turmoil with Allison. The trouble renders him the Hanged Man. This can represent his inaction and reluctance, but with a new perspective gained leading to new insight or realization of truth.

At his point he now knows he is in the pilot's seat. "You're flying on your own now..."

Carl is tasked to fire Norm. Symbolically (again), we have Ka releasing his old self (Normal Man) in order to gain the right path. Note that Norm is clad in the "300" Spartan garb resonating with the old Carl who selected the movie in the beginning. Norm is the old self as replicator rather than creator.

Say goodbye to the Age of Materialism. Carl's "house" is shown complete with solar (lit) wall clock (zodiac) and room full of crap (age of materialism).

To close, I wanted to add some thoughts on the ideas put forth here. I write this piece having absorbed meaning, thoughts and wisdom from others out there in the world. I certainly do not stand on every idea as a solid fact. I write what resonates with me based upon my inner eye. Some things seem more "factual" than others and some are merely questions posed as observations. As a "666 Warrior" (this is my actual street address, a personal sync), I am more interested in peddling open ended wisdom; based upon uncertainty. As Chris Knowles says, "Only pose questions, never answers." This is the only way to keep going. Certainty and over confidence are what create finite and limited knowledge.

Sometimes I feel like there is a man behind the curtain guiding the strings of the puppets on screen. An unlisted director. I also feel that much of it is an unconscious or 4D resonance that a certain few out there are beginning to take notice of. In the end, I am not certain if it matters. But it does bare import that the Awareness factor is a crucial ingredient for development amongst humanity. The beginning of the metamorphosis.

As I seem to notice things more and more. I am either reading into things or noticing syncs. Are these separate? Are they different? As time/energy/creation are all compacting toward this crux in the path (2012) the syncs become more and more often. Is this why I am also having more de ja vus as of late? Is this a multi-verse resonance I am taking note of?

Whether or not this post is "right or wrong" is irrelevant. The message being read into it by me or the universe is a message that can only lead to positive growth. If a lesson is worthy, does it matter from whence or whom it came? Let these observations be for you to chew up then spit out or savor.

2012 "Countdown" Olympic Coin - Precession In Your Pocket

2009-04-23T01:11:00.000-07:00

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Here is an interesting find; A Royal Mint coin dedicated to the countdown to 2012. The inital reviews gravitate toward the "ugliness" of the 2012 logo, especially from any that are design oriented. As you can see, the coin has an interesting design on the backside, including the hideously rendered 2012 logo. It consists of a oval shape border containing 2 swimmers, the digit 3 and some other elements that are seemingly arbitrary; tick marks, triangular "pointer", etc. According to the reviews, the oval border is derived from the new Olympic Colliseum design. Seen here:

While this is true, it does portray some more esoteric designs. Since 2012 is heralded by many as an end/beginning date (insert your opinion here), it was an easy chore to see if this held any sway. Below is a comparison of the reverse side of the coin with a map of the Precession of the Equinoxes (Platonic Year).

This is executed by the ovoid ring (orbital path) which houses the 12 epochs of the zodiacal path. This is clearly shown in the overlay drawing. The angle of the ovoid is similar to the eccentricity of the Earth's orbit. The quartered design relates to the solstice/equinox points exhibited in the 2 reference charts. I positioned the eras (zodiac) to align with Pisces (current) with the arrrow triangle. The arrow itself is "set" on the 5th of the 6 tick marks. This appears to be a rough estimate of our progress in the Piscean Age; 80% complete. This is obviously up for debate, but the consensus is there (see Wikipedia).

The swimmers might not have any esoteric meaning, but they could maybe represent movement towards Aquarius. Note the swimmers are making the same directional movement as shown in the lower right chart.

The number 3 obviously represents 3 years until 2012. An alternate meaning could be the 3rd quarter of the Platonic Year. Pure speculation.

Lastly, the Synchromystic use of the 2012 logo can be rendered as Oz or Zion (see Jake Kotze). The implications and reality of this are not certain, but I AM certain that others can chime in with more on this as well as the use of the coin as a talismanic object. We will be seeing a new coin every year until 2012. I will be eyes peeled next year!

Knowing, The Last Mimzy and V for Vendetta: Transformation of Consciousness in the Coming New Age

2009-04-01T19:49:00.000-07:00

NOTE: Plot Killers Within

After having seen Dark City (Proyas), then revisiting it years later with open eyes of symbolism, I have been expecting to see some esoteric or symbolic story to the new release Knowing (Proyas). Since I had the benefit of foresight, I watched Knowing what to look for. After watching it, I saw many elements that just popped right out at me. Near the end of the movie, the arbitrary insertion of rabbits happened upon my eyes.
Why are there #@$%& rabbits in this movie in this scene at this time?
Why?... Well, this is why:

Rabbit Symbolism: Represents good luck, rebirth, the moon and intuition.

Western European Symbolism Rabbit (Coinean) and Hare (Gèarr) are symbols of fertility, intuition, rebirth, promise, fulfillment, and balance. He is the Goddess’ creature and represents the Moon, night and dawn. Also associated with abundance, rebirth and release and is symbolic of the ‘tween times, dawn and dusk. Their motions were used for divination. They’re also associated with transformation, receiving esoteric knowledge and intuitive messages.

The Celts believed they brought luck and keeping a part of the animal, usually the foot, attracted good fortune. It was also believed that the foot protected people against evil. Rabbit is a symbol of Easter and Ostara.

Native American Rabbit, like Coyote, Raven and Crow, is considered trickster by some Native American tribes. Nanabozho or Manabozho, Great Hare, is a powerful figure found in some stories. Nanabozho is a hero, creator of the earth, supporter of humans, bringer of fire and light, and teacher of the sacred rituals. In others he’s a clown, a thief, or a sly predator, an amoral animal dancing on the boundary between the positive and negative. To some tribes he’s known as Fear Caller because he brings whatever he fears most to himself. He’ll see Coyote and will tell him to stay away because he’s afraid of him. When Coyote doesn’t hear, Rabbit calls louder and louder until coyote notices, then preys on him.

Read more: "Rabbit/Hare: Trickster-Fear Caller: Rabbit: Fertility Symbol, Ostara Pagan and Christian Easter Animal" - Link

The rabbit also is connected with Spring/Easter as stated. Interesting that the movie was released on the Spring Equinox.

The fact the use of rabbits is seemingly arbitrarily plopped into Knowing is an immediate nod to its symbolical importance. Here, at the end, we can see the children rebirth with the rabbit (intuition) during the night (lunar) into the new alien world (time/place/era). This occurs concurrently with the death of the old rational/solar/masculine mind (John Koestler). We see the characters as archetypes. The children get to live whilst the adult must stay behind and die. This shows how the naïve, un-imprinted, unformed mind of the child opposes the programmed mind of the person which cannot comprehend the children due to the impregnated reality within it. It represents the death/rebirth of the mind, the death rebirth of eras; the pattern of time 2012 Mayan death/rebirth. This is the exact same story as The Last Mimzy. After seeing both movies one can see, the comparisons between Knowing and The Last Mimzy are many.
Here is a list of similarities:

Rabbits (kids with rabbits/Knowing; rabbit doll/Mimzy)
Fibonacci/number patterns/spirals (on stuffed rabbit doll named Mimzy; on spinning jet engine in Knowing; also same as Donnie Darko, directed by Richard Kelly who was slated to direct Knowing before turnaround deal)
Children with intuitive or special powers (Indigo Children); telekinesis, telepathy (new age)
Rebirth and/or disappearance of children at end leaving parents behind; both occur at night time (Based on Mimsy Were The Borogoves short story; the movie has a different ending)
Sons are both named Noah (claimed working name for Caleb)
Parents whom cannot see or do as the children (current/old age)
The Last Mimzy, FYI, is based on a short story Mimsy Were The Borogoves which appeared in Astounding. If you have not read it, you can listen to it on Youtube as read by William Shatner (Sweet!): Mimsy Were The Borogoves

(FYI, Mimsy Were The Borogoves title is derived from a purposely nonsensical poem called Jabberwocky by Lewis Carroll.)

In Mimsy Were The Borogoves, the children have been able to “see” the actual/alter meaning of the poem, but its meaning eludes the parents (representing the current masses) "...because of their Euclidian minds". Sound familiar? So these themes are exacted in Knowing as well with Caleb being able to see the numbers/aliens and hear their voices telepathically. Interesting indeed. We can also see these themes resonating at a different frequency in The Matrix and Dark City as well (both produced by Andrew Mason…Hmmm); awakening, anamnesia, etc.

(Note: We can also see rabbit symbolism in The Matrix and Donnie Darko.)

One more tie-in I thought about was the similarities between V for Vendetta to Knowing and The Last Mimzy (V was released on 3-17). V for Vendetta, although not as similar in story or symbolism, this movie is about the rational vs. intuitive mind (masculine/feminine). (I will give a more in depth image analyses of V for Vendetta later). The message is clearly different but it does show the battle between intuition vs. rational mind and the ensuing enlightenment/rebirth of the androgynous being (represented in V for Vendetta as the shaven-headed, orange-garbed, monk Natalie Portman; Tibetan sounds and all). While V for Vendetta seems to point a bit more toward a marriage of feminine and masculine qualities (androgyny) and making of the whole self, through loss of fear, the other 2 movies seem to point a bit more toward the coming eras; 2012/Mayan cosmogenesis/Aquarian age. This also seems to be portrayed by the Masonic-style time capsule ceremonies in Knowing which recur in similar fashion during the insertion and extraction of the time capsule; cyclical time. (Also note the time capsule “man-hole cover” design.)

Nevertheless, on a certain level one could interpret all 3 of these movies in the same way. It could be that as TIME moves, we are approaching a crux in the path. We are seeing a SHIFT in the nature of the mind due to the position along our path around the Zodiacal loop which in turn determines the universal energies which enables the creative forces at that point. With this movement in TIME we will need to be ready to address this fundamental SHIFT in thought. This can only be done through the embracing of the mind of the child. Unformed, unprogrammed, clean, new and able to be seeded with concepts we cannot grasp due to our base level belief systems and embedded "reality" which prevent us from considering the viability of the reality of the "Jabberwocky". If we do not "see", we will struggle against the natural flow and be forced to extinction.

In addition, I have compared the movie posters for Dark City, V for Vendetta and Knowing in the previous post. Check them out.

Knowing Movie Stills

Let's be subtle now people.

Keep moving, nothing to see here. Oh wait, what's this I see...
Common garb for common folk.

Notice Caleb's bedroom acts as the oculis from which he has future visions. This could represent the enlightened mind or the awakening which is taking place now; Caleb acting as the new consciousness.

Nice Skull-n-Bones hat junior! Get that in the time capsule?

Pyramid Schemes 2

2009-03-20T19:31:00.000-07:00

More additions:

- Updated comparison of 2001: A Space Odyssey
- Alex Proyas' Dark City and just released Knowing
- Zodiac
- V for Vendetta

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Thanks all... Enjoy.

Pyramid Schemes

2009-03-06T13:00:00.000-08:00

More non-linear observations:

I am adding more examples of cinema imagery with interesting geometries. These examples show:

Darren Arnofsky's Requiem for a Dream and The Fountain
Stanley Kubrick's 2001:A Space Odyssey

I added some notes (click the image to see full size) which point out some basic, but interesting symbolical characteristics that are similar in each of the images. I added the Space Odyssey image after I realized that it was similar to the Arnofsky movies.

At some point I will be adding more in depth imagery/symbolical comparisons from these movies as well as the following:

The Wrestler (Arnofsky)
V For Vendetta (Wachowski Bros)
Dark City (Proyas)
Knowing (Proyas) (to be released)

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Siriusly Interesting

2009-02-23T14:39:00.000-08:00

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Response to Secret Sun post on the imagery used for the Oscars poster. I have shown the relationship between the Oscars poster and the Stargate Movie poster. I posted a response on The Secret Sun stating my observation:

"Greetings fellow wisdom seekers...

For me an instantaneous connection was in the similarity between the Oscars poster and the original Stargate movie poster. It is easily conceivable to understand since both resonate in image content, overt or covert, and in name.
Star Gate (overt name and image). The Oscars (Stars enter through the Gates of Babylon; covert).

The Oscars poster has a pyramid form denoted by the 4 major stars at the bottom forming the 4-sided base of the pyramid. The top is connected by the head of the Osiris/star/light beam. I seem to notice this theme repeated ALOT. The "cap" of the pyramid usually contains something like a head or something relating to enlightenment, etc. As you can see the image is oddly similar, if not exactly mirrored, to the Stargate poster. Seems the synchromystic bits keep on rollin'."

The top 2 images are the "raw" posters for reference and comparison. The bottom 2 images show my analyses:

Bottom Left Image) Reverse overlay of Canis Major with Sirius at the head location; stars on poster are denoted by camera "flashes". Constellation is shown flipped horizontally; from the point of view of Canis Major toward Earth. This correlates to the fact that as the viewer, you are looking from Oscar's view toward the audience. Additionally, I also rotated the constellation to "fit" the poster star layout. This could possibly be related to the angle that the constellation would be at on a particular date; 2-22-09. I did not have time to look for that image source, but it would be nice to see if that fit this puzzle as well. It is also possible that there are other stars being referenced here, but odd to see these roughly fit.

Bottom Right Image) Pyramid formed by connecting major stars (camera flashes). Notice pyramid base angle is also similar to Stargate poster. Ring above Oscar is obviously denoted from upper level seating.

Also note the event being on SUNday, 2/22.

I will add that the reason and purpose for these connections is not finite, complete or inferred by these observations. I believe that there are multiple interpretations possible and will readily admit I do not have all the answers. I will only hint that the Egyptian/Solar hints seem to pop when you look for them.

UPDATE 1

I added another take on the Oscars poster. This time I focused more on the triangle of light near the head of Osiris.

UPDATE 2

Added here are some examples from the movie industry. As many researchers have pointed out, these examples appear to have a structure related to the pyramid/eye of Horus. If you compare/contrast the examples, one can see that there is a possible inferred symbolism behind the logos. These have similarity to the 2009 Oscars poster. It is interesting to see how the clouds possibly form the 3 Giza pyramids and how the woman/winged horse could delineate the position of the 2 smaller pyramids. Especially interesting is the comparison/contrast of the modern vs. older Columbia logo. Both show the same underlying structure, but using different elements. Modern version with Columbia uses clouds, Older version with sparks from blazing torch. This, IMO, strongly supports the pyramid structure theory. Also of note is the use of 22 stars in the Paramount logo. Once you look, these examples are very ubiquitous.

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